Research Summary
Virtual idols and VTubers (Virtual YouTubers) are digital personas created using computer-generated graphics or animation technology, controlled by human performers through motion capture or animation software. Virtual idols, often portrayed as anime-style characters, are primarily used in the entertainment industry for concerts, shows, and music releases, while VTubers, individuals or groups of content creators, use virtual avatars to produce online content like gaming streams, vlogs, and talk shows. Both virtual idols and VTubers interact with their audience through livestreams, videos, and social media, presenting themselves as unique personalities with distinct traits and backgrounds, appealing to audiences interested in anime, gaming, and virtual culture. They have become a cultural phenomenon, influencing various aspects of popular culture and providing a creative way for performers and content creators to connect with their audience worldwide.
According to DIResearch's in-depth investigation and research, the global Virtual Idol and VTubers market size will reach US$ Million in 2024, and is expected to reach US$ Million in 2030, with a CAGR of % (2025-2030). Among them, the China market has changed rapidly in the past few years. The market size in 2024 will be US$ Million, accounting for approximately % of the world. It is expected to reach US$ Million in 2030, and the global share will reach %.
The major global manufacturers of Virtual Idol and VTubers include Cover, Kizuna AI, Nijisanji, Upd8, UNION MOBILE, Victor Entertainment, Atsuko Project, 1sec, Bilibili, iQIYI etc. The global players competition landscape in this report is divided into three tiers. The first tiers is the global leading enterprise, which occupies a major market share, is in a leading position in the industry, has strong competitiveness and influence, and has a large revenue scale; the second tiers has a certain share and popularity in the market, actively follows the industry leaders in product, service or technological innovation, and has a medium revenue scale; the third tiers has a smaller share in the market, has a lower brand awareness, mainly focuses on the local market, and has a relatively small revenue scale.
This report studies the market size, price trends and future development prospects of Virtual Idol and VTubers. Focus on analysing the market share, product portfolio, revenue and gross profit margin of global major manufacturers, as well as the market status and trends of different product types and applications in the global Virtual Idol and VTubers market. The report data covers historical data from 2019 to 2023, base year in 2024 and forecast data from 2025 to 2030.
The regions and countries in the report include North America, Europe, China, APAC (excl. China), Latin America and Middle East and Africa, covering the Virtual Idol and VTubers market conditions and future development trends of key regions and countries, combined with industry-related policies and the latest technological developments, analyze the development characteristics of Virtual Idol and VTubers industries in various regions and countries, help companies understand the development characteristics of each region, help companies formulate business strategies, and achieve the ultimate goal of the company's global development strategy.
The data sources of this report mainly include the National Bureau of Statistics, customs databases, industry associations, corporate financial reports, third-party databases, etc. Among them, macroeconomic data mainly comes from the National Bureau of Statistics, International Economic Research Organization; industry statistical data mainly come from industry associations; company data mainly comes from interviews, public information collection, third-party reliable databases, and price data mainly comes from various markets monitoring database.
Global Key Manufacturers of Virtual Idol and VTubers Include:
Cover
Kizuna AI
Nijisanji
Upd8
UNION MOBILE
Victor Entertainment
Atsuko Project
1sec
Bilibili
iQIYI
Virtual Idol and VTubers Product Segment Include:
Virtual Idol Corp
Virtual YouTubers
Virtual Idol and VTubers Product Application Include:
Entertainment
Advertising
Chapter Scope
Chapter 1: Product Research Range, Product Types and Applications, Market Overview, Market Situation and Trends
Chapter 2: Global Virtual Idol and VTubers Industry PESTEL Analysis
Chapter 3: Global Virtual Idol and VTubers Industry Porter's Five Forces Analysis
Chapter 4: Global Virtual Idol and VTubers Major Regional Market Size and Forecast Analysis
Chapter 5: Global Virtual Idol and VTubers Market Size and Forecast by Type and Application Analysis
Chapter 6: North America Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 7: Europe Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 8: China Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 9: APAC (Excl. China) Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 10: Latin America Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 11: Middle East and Africa Virtual Idol and VTubers Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)
Chapter 12: Global Virtual Idol and VTubers Competitive Analysis of Key Manufacturers (Revenue, Market Share, Regional Distribution and Industry Concentration)
Chapter 13: Key Company Profiles (Product Portfolio, Revenue and Gross Margin)
Chapter 14: Industrial Chain Analysis, Include Raw Material Suppliers, Distributors and Customers
Chapter 15: Research Findings and Conclusion
Chapter 16: Methodology and Data Sources
Table of Contents 1 Virtual Idol and VTubers Market Overview 1.1 Product Definition and Statistical Scope 1.2 Virtual Idol and VTubers Product by Type 1.2.1 Global Virtual Idol and VTubers Market Size by Type, 2023 VS 2024 VS 2030 1.2.2 Virtual Idol Corp 1.2.3 Virtual YouTubers 1.3 Virtual Idol and VTubers Product by Application 1.3.1 Global Virtual Idol and VTubers Market Size by Application, 2023 VS 2024 VS 2030 1.3.2 Entertainment 1.3.3 Advertising 1.4 Global Virtual Idol and VTubers Market Revenue Analysis (2019-2030) 1.5 Virtual Idol and VTubers Market Development Status and Trends 1.5.1 Virtual Idol and VTubers Industry Development Status Analysis 1.5.2 Virtual Idol and VTubers Industry Development Trends Analysis 2 Virtual Idol and VTubers Market PESTEL Analysis 2.1 Political Factors Analysis 2.2 Economic Factors Analysis 2.3 Social Factors Analysis 2.4 Technological Factors Analysis 2.5 Environmental Factors Analysis 2.6 Legal Factors Analysis 3 Virtual Idol and VTubers Market Porter's Five Forces Analysis 3.1 Competitive Rivalry 3.2 Threat of New Entrants 3.3 Bargaining Power of Suppliers 3.4 Bargaining Power of Buyers 3.5 Threat of Substitutes 4 Global Virtual Idol and VTubers Market Analysis by Regions 4.1 Virtual Idol and VTubers Overall Market: 2023 VS 2024 VS 2030 4.2 Global Virtual Idol and VTubers Revenue and Forecast Analysis (2019-2030) 4.2.1 Global Virtual Idol and VTubers Revenue and Market Share by Region (2019-2024) 4.2.2 Global Virtual Idol and VTubers Revenue Forecast by Region (2025-2030) 5 Global Virtual Idol and VTubers Market Size by Type and Application 5.1 Global Virtual Idol and VTubers Market Size by Type 5.2 Global Virtual Idol and VTubers Market Size by Application 6 North America 6.1 North America Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 6.2 North America Key Manufacturers Analysis 6.3 North America Virtual Idol and VTubers Market Size by Type 6.4 North America Virtual Idol and VTubers Market Size by Application 6.5 North America Virtual Idol and VTubers Market Size by Country 6.5.1 US 6.5.2 Canada 7 Europe 7.1 Europe Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 7.2 Europe Key Manufacturers Analysis 7.3 Europe Virtual Idol and VTubers Market Size by Type 7.4 Europe Virtual Idol and VTubers Market Size by Application 7.5 Europe Virtual Idol and VTubers Market Size by Country 7.5.1 Germany 7.5.2 France 7.5.3 United Kingdom 7.5.4 Italy 7.5.5 Spain 7.5.6 Benelux 8 China 8.1 China Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 8.2 China Key Manufacturers Analysis 8.3 China Virtual Idol and VTubers Market Size by Type 8.4 China Virtual Idol and VTubers Market Size by Application 9 APAC (excl. China) 9.1 APAC (excl. China) Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 9.2 APAC (excl. China) Key Manufacturers Analysis 9.3 APAC (excl. China) Virtual Idol and VTubers Market Size by Type 9.4 APAC (excl. China) Virtual Idol and VTubers Market Size by Application 9.5 APAC (excl. China) Virtual Idol and VTubers Market Size by Country 9.5.1 Japan 9.5.2 South Korea 9.5.3 India 9.5.4 Australia 9.5.5 Indonesia 9.5.6 Vietnam 9.5.7 Malaysia 9.5.8 Thailand 10 Latin America 10.1 Latin America Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 10.2 Latin America Key Manufacturers Analysis 10.3 Latin America Virtual Idol and VTubers Market Size by Type 10.4 Latin America Virtual Idol and VTubers Market Size by Application 10.5 Latin America Virtual Idol and VTubers Market Size by Country 10.5.1 Mecixo 10.5.2 Brazil 11 Middle East & Africa 11.1 Middle East & Africa Virtual Idol and VTubers Market Size and Growth Rate Analysis (2019-2030) 11.2 Middle East & Africa Key Manufacturers Analysis 11.3 Middle East & Africa Virtual Idol and VTubers Market Size by Type 11.4 Middle East & Africa Virtual Idol and VTubers Market Size by Application 11.5 Middle East & Africa Virtual Idol and VTubers Market Size by Country 11.5.1 Saudi Arabia 11.5.2 South Africa 12 Market Competition by Manufacturers 12.1 Global Virtual Idol and VTubers Market Revenue by Key Manufacturers (2020-2024) 12.2 Virtual Idol and VTubers Competitive Landscape Analysis and Market Dynamic 12.2.1 Virtual Idol and VTubers Competitive Landscape Analysis 12.2.2 Global Key Manufacturers Headquarter and Key Area Sales 12.2.3 Market Dynamic 13 Key Companies Analysis 13.1 Cover 13.1.1 Cover Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.1.2 Cover Virtual Idol and VTubers Product Portfolio 13.1.3 Cover Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.2 Kizuna AI 13.2.1 Kizuna AI Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.2.2 Kizuna AI Virtual Idol and VTubers Product Portfolio 13.2.3 Kizuna AI Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.3 Nijisanji 13.3.1 Nijisanji Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.3.2 Nijisanji Virtual Idol and VTubers Product Portfolio 13.3.3 Nijisanji Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.4 Upd8 13.4.1 Upd8 Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.4.2 Upd8 Virtual Idol and VTubers Product Portfolio 13.4.3 Upd8 Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.5 UNION MOBILE 13.5.1 UNION MOBILE Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.5.2 UNION MOBILE Virtual Idol and VTubers Product Portfolio 13.5.3 UNION MOBILE Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.6 Victor Entertainment 13.6.1 Victor Entertainment Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.6.2 Victor Entertainment Virtual Idol and VTubers Product Portfolio 13.6.3 Victor Entertainment Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.7 Atsuko Project 13.7.1 Atsuko Project Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.7.2 Atsuko Project Virtual Idol and VTubers Product Portfolio 13.7.3 Atsuko Project Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.8 1sec 13.8.1 1sec Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.8.2 1sec Virtual Idol and VTubers Product Portfolio 13.8.3 1sec Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.9 Bilibili 13.9.1 Bilibili Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.9.2 Bilibili Virtual Idol and VTubers Product Portfolio 13.9.3 Bilibili Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 13.10 iQIYI 13.10.1 iQIYI Basic Company Profile (Employees, Areas Service, Competitors and Contact Information) 13.10.2 iQIYI Virtual Idol and VTubers Product Portfolio 13.10.3 iQIYI Virtual Idol and VTubers Market Data Analysis (Revenue, Gross Margin and Market Share) (2020-2024) 14 Industry Chain Analysis 14.1 Virtual Idol and VTubers Industry Chain Analysis 14.2 Virtual Idol and VTubers Industry Raw Material and Suppliers Analysis 14.2.1 Upstream Key Raw Material Supply Analysis 14.2.2 Raw Material Suppliers and Contact Information 14.3 Virtual Idol and VTubers Typical Downstream Customers 14.4 Virtual Idol and VTubers Sales Channel Analysis 15 Research Findings and Conclusion 16 Methodology and Data Source 16.1 Methodology/Research Approach 16.2 Research Scope 16.3 Benchmarks and Assumptions 16.4 Date Source 16.4.1 Primary Sources 16.4.2 Secondary Sources 16.5 Data Cross Validation 16.6 Disclaimer
Publisher: DIResearch
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